Any weekend trip, of course, yields only superficial impressions of a new place. But a weekend trip to Rwanda taken immediately after reading Philip Gourevitch’s devastating book about the 1994 genocide, "We Wish to Inform You That Tomorrow We Will Be Killed With Our Families," makes it hard to think about anything except the weight of recent history in Rwanda. It’s one thing to read that between 800,000 and one million Tutsis and so-called “moderate” Hutus were killed by Hutu militants and by their neighbors and colleagues and schoolmates in just 100 days all over the country; it’s another to actually arrive in that country and realize that life there looks no different on the surface.
As soon as we crossed the border (pushing our rented matatu, whose engine balked against leaving Uganda), our driver had to switch from the left side of the road to the right side of the road and the few official signs switched from English to French, in small reminders of the arbitrary remnants of colonialism. Our van got quieter, as we all looked out the window. Rwanda looked back, beautiful and placid, lush green fields of tea or maize among mist-covered and carefully cultivated hills, deep rivers and the now familiar African procession of humanity along the roadsides. Just like everywhere, women walked single-file, balancing bundles of produce or baskets of household goods on their heads, many with babies tied securely to their backs with towels or cloths. Men strolled empty-handed or maneuvered bicycles loaded with carefully balanced loads of bananas or sugar cane. Children pushed wheelbarrows with yellow plastic containers of water or paraffin or carried school backpacks. Everywhere, colorful patterned skirts, bright plastic shoes, and threadbare suits or school uniforms mixed with cast-off American clothes, rejected by Goodwill for resale in the states. Faded T-shirts advertised North Central High School’s 1997 musical production of Bye Bye, Birdie or proclaimed Colby College’s intramural volleyball tournament champions; stained sweaters featured grinning jack-o-lanterns and Christmas reindeer; ripped windbreaker jackets promoted the Orlando Magic or the Detroit Tigers. Men cut the grass with swinging machetes, women bent at the waist to sweep leaves from dirt yards, or hoed or planted crops in the fields. In many ways it looked just like the roadsides of Uganda, or Kenya, or Tanzania, or Botswana, or rural South Africa. But this was Rwanda.
I didn’t want to make assumptions. I didn’t want to wonder whether all of these people walking on the road were Hutu or Tutsi. I didn’t want to interpret all of Rwanda through a 13-year-old lens. But in that short visit, I just couldn’t help it. When a man waved at us on the street, for example, and all of the fingers on his right hand were gone, my mind jumped right back to 1994, correctly or not. Rwanda had very few signs along the road, but my eye was pulled time after time to one red word in the middle of black text that needed no translation: Jenoside. Dr. Simba, the Makerere University political science professor who has been giving us a course on regional politics, mentioned his frustration with how the only thing the world knows about Ugandan politics is the gory details of Idi Amin’s brutal dictatorship, more than 20 years after it ended. I didn’t want to impose a similar morbid fascination on a whole country, but I simply couldn’t stop.
Rwandans seemed, on the surface at least, to have a lot of respect for order and regulations. We had been in the country for all of three minutes before being pulled over at a police roadblock--for the sole purpose of ensuring we were carrying a fire extinguisher in our matatu, as prescribed by law. One of the major modes of transportation in Kampala is by boda-boda, small mopeds with passengers perched on the back as the driver weaves through traffic at the fastest possible speed. I have never seen a helmet on a boda-boda driver or passenger in Uganda. Kigali has boda-bodas, too, but every driver not only wears a helmet (with his phone number emblazoned on the side) but must also provide a matching helmet for his passenger. More than one Rwandan proudly pointed out the relative lack of litter on the roadside to me, and one of our monkey-tracking guides, within five minutes of telling us that he knew about 50 people who had been killed in the genocide, had started discussing the popularity of roadside flower planting in Rwanda. It’s hard to imagine the chaos of killing that occurred in this context of order and apparent civility.
We visited the major genocide museum on our first afternoon in Kigali, but our guidebook also mentioned a smaller genocide memorial at a church 30km out of town. We arranged to pay a man from the hotel $5 to ride along and “give us directions” on Sunday morning (which basically meant he asked directions from people all along the way). Two hours and many U-turns later, we had arrived at the Nyatama Genocide Memorial. Well, we hoped we had. When we parked outside the small brick structure, we were immediately surrounded by the now expected pack of noisy, smiling children, waving and calling mzungu, mzungu! As we made our way toward the building, smiling at the kids and relieved to be out of the car, we noticed purple and white plastic cloth streamers all around the building and a stream of adults dressed in bright, formal clothes, heading behind the church to join a group of about 100 people who had assembled in the corner of the church yard. “A wedding!” we thought, but something was off. None of the adults gave any kind of welcoming or festive vibe or even directly acknowledged our presence and I started to feel acutely uncomfortable. Here we were, a pack of mzungus in shorts and jeans, T-shirts and hats, holding backpacks and cameras and wandering into some kind of formal celebration or outdoor church service at 10am on a Sunday morning, uninvited and not able to communicate why we were there.
And why were we there? What is this voyeuristic “genocide tourism” anyway? What right, as outsiders, did we have to invade someone else’s community to contemplate atrocities committed there? And, more fundamentally, were we even at the right church? There were no obvious French or English signs announcing that this was a genocide memorial, no other tourists, nothing but this large formal gathering outside the building, which, I realized with a sinking feeling, some of our group had wandered almost into the middle of. And I was this uncomfortable before I noticed the coffins at the front of the gathering and realized that in fact, the “wedding” was a funeral. It was initially a relief to enter the church, out of sight of the gathering, and discover that mercifully, it was empty.
We entered into a large dusty room with a cement floor, brick walls, and a corrugated metal roof. Low backless wooden benches served as pews and a wooden altar with a stained white cloth, an empty stone baptismal font, a statue of Mary and a partially broken stained glass window were the only obvious religious adornments. Yellow light filtered in from the broken window, through the latticed back brick wall, and from multiple small holes scattered across the ceiling. More of the faded purple and white streamers hung around the walls and on the supporting columns, some empty caskets sat at the edge of the sanctuary, and a raised flat area in the floor held some recent flower arrangements. Our group started wandering around the church, unguided, until someone realized that the flat area overlaid white tiled stairs. Down the half dozen stairs was a large glass case with around 150 skulls of all sizes, some bearing traumatic fractures, as well as some long bones, one complete skeleton, some jewelry, and two machetes. I honestly still wasn’t sure we were actually at a genocide memorial until seeing that case. We stood and looked, quiet and uncomfortable. Suddenly, there was a small commotion above us and eventually the message was translated that we were not supposed to be down there. I was so uncomfortable and feeling so intrusive that I was ready to leave right then. In fact, I went and stood outside the church, still trying to stay out of sight of the ongoing outdoor funeral.
It turned out, though, that a woman had arrived to show us around the church. She spoke neither French nor English, but the man we had brought to direct us from Kigali could translate from the local language into Swahili and our wonderful multilingual driver had learned Swahili and could then translate into English. This woman’s wooden solemnity was unnerving. She offered no welcome or smile. She did not introduce herself. She did not ask why we had come or where we were from. She gave no background for the church or the genocide. She simply started describing physical things in the church, each more disturbing than the last, as selected details filtered through the translation chain.
The brown stains in the altar cloth? Blood that had been mopped from the floor. The full skeleton in the case downstairs, which she illuminated with the light on her cell phone? The remains of a congregant who had been speared through her vagina up to her lungs. The previously unnoticed brown stains on the back wall and ceiling? Blood from where children had been killed by swinging their heads against the brick wall, brain matter and blood spattering onto the high ceiling. She waited for no reaction from us, did not editorialize, just moved mechanically around the room. A half-open door led to a small side room filled to the ceiling with plastic tarps wrapped around cloth bundles. These were the belongings of the people killed in the church, she said, the few things they had brought from their homes, hoping their lives would be spared by their neighbors in this place of faith. Here and there, a hoe, a shoe, or a patterned cloth had escaped the bundles, but mostly the piles were untouched, never claimed or organized or sanitized or processed in any way.
It was this lack of polish, lack of signs, lack of editorializing or translating or processing for American tourists that made this site feel so much more real and immediate than the very well-done genocide museum in Kigali. I realized that while the content of that museum had been highly disturbing, the processed details had allowed for some distance and had invited some intellectualization of events. Even the format had been somehow familiar and oddly comforting, with the memorial flame and gardens outside, the individual pictures and stories of victims, and the reassuring if empty platitudes that only education can prevent such atrocities from occurring again. I came out of that official museum thinking about the history of the word “genocide” and wondering about the details of reconciliation and justice across the country generically; I came out of this church feeling physically ill and wondering how people in this community can possibly be functioning psychologically at all under the guilty weight of history.
The woman led us outside, where we crossed yet again in front of the ongoing funeral service and descended more stairs into two huge silent crypts filled with stacked coffins and the same purple and white cloths. The church, she said, is now a repository for discovered mass graves in the area and thousands of skeletons have been exhumed and then re-interred in these constructed crypts. Each coffin holds the remains of 15 to 20 people, with the coffins stacked 12 feet high, the luxury of individuality and names lost. Many skulls are lined up here as well, providing inarguable proof of brutality, blank eyes staring accusingly. Most strikingly, this is not a sealed museum, or a process of remembering that is over and done. Two coffins had been interred the previous day, and the ongoing funeral service outside, which had attracted over 100 people from this small community and made me so uncomfortable, was in fact a mass funeral for another set of bodies from a previously unmarked mass grave. This memorial service, which we’d initially confused for a wedding, was for individuals murdered 13 years earlier in this community because of their ethnicity. Standing in the dusty stillness, bathed in the light of a sunny Sunday morning and the rituals of communal grief and remembrance, this group of congregants was marking that fact, not for tourists or for historical accuracy but as part of the ongoing life of a shattered community. Life on the roadsides of Rwanda may look no different on the surface, but for me, that quiet ceremony at that small church, still structurally sound but utterly unusable in practice, showed otherwise.